The world of THE VALLEN

Borrowed from pbs.org

In the months leading up to the 2016 United States presidential election, I clicked off the news and asked myself: what would America look like if Trump’s wall stood for over a hundred years?

What would you do to challenge that impediment to your movement? Would you try to flee—even if it was your own people who stood up the wall in the first place? Or would you welcome it? Is the wall good? Is the wall bad?

What SHOULD my story do?

My story...my story...my story...Dammit! What should my story be doing? Trying to accomplish? Is it one thing or many?

Hmm...

Whether thy masterpiece of a novel, or thy life's story, or thy "Story" on Facebook that exhibits annoying notifications across my (not thy) feed, when we speak of our story—just what the hell are we talking about? What should we be saying? What are we trying to accomplish via telling our story?

Let's get to the bottom of this...

The Perils of Diction

Filched from here

Let's take a step into the world of word choice, or diction. For a brief interlude into the elements of style (tone and diction), look here, and read up on how diction fits into a writing piece as a whole. Otherwise—all our readings up—let's dive in...

Heart of Darkness...On Xmas

Sometimes there's just too much to think about in a book. While perusing over the Scmoop entries on Joseph Conrad's The Heart of Darkness, a dozen different blog topics came to mind. Should I focus on Conrad's diction? Or how about his style for this book, which isn't so much "poetic" as it is ruminative? Or maybe about the way Marlow's narration sets the mood? Or about themes of imperialism, humanity, madness, honesty/dishonesty and evil?

Rather, I've decided to talk about context, the circumstances surrounding both the author's life and the author's society that ever even allowed such a book to be contemplated, nonetheless written.